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Brad Howe

Exhibition of Bronze & Steel Sculptures
September 19 - October 31 | San Francisco

“If we are to engage in the project of self-edification, the evolution of self, the enterprise is tied to our imagination. As Richard Rorty indicates, imagination is bound by our vocabulary, and it is in the growth of vocabulary we should focus. Vocabulary is tied to experience, and it is in energized moments of exposure to strangeness that our vocabulary expands. Encountering strangeness stretches and expands our self-image and seeds the rich potential for our collective conversations.” - Brad Howe

Brad Howe began his career in Brazil after studying history at the University of Sao Paulo. His work presents the influence of inquiry into the aesthetics of various cultures and distinct movements in the continuum of art history.

Howe’s work continues to connect with international communities, exhibiting and completing site-specific commissions both in the US and abroad. Known for his sculpture practice, Howe’s focus also includes the representation of objects through diverse means, including photography.

Biography

Balancing playfulness, wit, strength, stillness, and motion, Brad Howe’s sculptures are dynamic experiments in color and form. Having started his artistic career making mobiles reminiscent of Alexander Calder’s pioneering midcentury kinetic art, he continues to infuse his work with a sense of lightness. Even in sculptures made of heavy steel, he creates elements that twist, rise, and perch. His quieter, stationary wall sculptures incorporate arching lines that recall elegant movements. In addition to Calder, his influences include Arp and Brancusi—artists who infused solid matter with a similar gravity-defying feel.

The idea of social engagement and conversation is a constant theme in Howe’s practice, evident in the way his light-hearted sculptures activate the viewer’s space, as well as in his passion for creating public art and for working closely with collectors on commissioned projects. "My sculptures examine vitality and celebrate beauty,” he has said. “Their aim is to capture the vigor of life and radiate with unabashed potentiality. These are the issues that stimulate me as a person and as an artist, and that are discussed over and over with those who sit with me at my fire and with those at whose fire I find myself sitting."

Howe studied international relations at Stanford University and was inspired to become an artist while visiting the University of São Paolo to specialize in Brazilian affairs. His public installations include large-scale kinetic sculptures at the Georgia International Convention Center near Atlanta, and Temple University, Philadelphia. He has exhibited his work in nearly 20 countries, at numerous galleries and museums, and is included in the collections of the Pasadena Museum of California Art, M.I.T., and the City of West Hollywood, in addition to many other corporate and private collections. Reviews and profiles have appeared in the Los Angeles Times, Harper’s Bazaar, the New York Times, and Architectural Digest, among others. He lives and works in Malibu, California.

Born

1959 Riverside, CA.


Education

Stanford University, Stanford, Palo Alto, CA.

University of Sao Paulo, Sao Paulo, Brazil.


Selected Group Exhibitions

2020 Trooping the Colours, Biberach, Germany

2019  Art Palm Springs, Caldwell Snyder Gallery, Palm Springs, CA

            Art Market San Francisco, Caldwell Snyder Gallery

            SCOPE Miami, Caldwell Snyder Gallery

2018  35th Anniversary Show, Caldwell Snyder Gallery, San Francisco

            Art Market Hamptons, Caldwell Snyder Gallery, NY, NY

            LA Art Show, Caldwell Snyder Gallery, Los Angeles, CA

            Art Market San Francisco, Caldwell Snyder Gallery, SF, CA.

Selected Solo Exhibitions

2022  Recent Sculptures, Caldwell Snyder Gallery, Montecito, CA.

2019  Wishful Thinking, Caldwell Snyder Gallery, St. Helena, CA.

2017 Galerie Uli Land, Biberach, Germany.

2016 Pacific Design Center, West Hollywood, CA.

            Gallery Jeon, Daegu, South Korea.

            Galerie Uli Lang, Biberach, Germany.

2015 Caldwell Snyder Gallery, San Francisco, CA.

            CMay Gallery, Seoul, South Korea.

2014 Museum of Art & History, Lancaster, CA.

            The Frostig Collection, Santa Monica, CA.


Selected Public & Corporate Collections

Allergan Corporation, Irvine, CA • Arario Industries, Cheon-Shi, South Korea • Bachem California Inc., Torrance, CA • Baxter Healthcare Corporation, Irvine, CA • Beechcraft Corporation, Van Nuys, CA

Birtcher Corporation, Irvine, CA • Boehringer Ingelheim, Biberach, Germany • Boehringer Ingelheim, CT • California Spine Center, Thousand Oaks, CA • Canon Corporation, Irvine, CA • Carl Bean AIDS Center, Los Angeles, CA • Cedars-Sinai Hospital, Los Angeles, CA •

Chandler Properties, Los Angeles, CA • City of Hope, Duarte, CA •

City of Montebello, Transportation Building, Montebello, CA • City of Santa Fe Springs, CA • Colegio Nacional de Educacion Profesional TecnicaL Administrative Campus, Toluca, Mexico • Concord Property Corporation, San Antonio, TX • Duncan Aviation, Lincoln, NE • Edificio Siglum, SARE Corporation, Mexico City, Mexico • Edison International, Rosemead, CA • Eisenhower Medical Center, Rancho Mirage, CA • Equity Office, Atlanta, GA • Georgia International Convention Center • Gershwin Hotel, New York City, NY • Hilton Caribe, San Juan, Puerto Rico • Intuit, Reno, NV • Katell Properties, Los Angeles, CA • Kaiser Permanente, Baldwin Park, CA • Kitakyushu City International Center, Kitakyushu, Japan • Kimball International, Inc., Los Angeles, CA • Kreissparkasse, Biberach, Germany • La Fundidora, Centro Cultural, Monterrey, NL, Mexico • Landesbank Baden-Wurttemberg, Stuttgart, Germany • Lockton Insurance, Los Angeles, CA • Lord Baltimore Properties, Empire Towers III, Ontario, CA • Los Angeles Retarded Citizen’s Foundation, Saugus, CA • Loyola Law School, Los Angeles, CA • Medix Mihagino, Kitakyushu, Japan • Mercure Hotel, Sao Paulo, Brazil • M.G.M. Grand Airlines, JFK Airport, NY • Ministry of Industry and Trade Building, Mexico City, Mexico • M.I.T., Cambridge, MA • Murrel Company, Newport Beach, CA • Neiman Marcus, Dallas, TX • Nobe Telecommunications Corporation, Miami, FL • Overton Moore and Associates Inc. Los Angeles, CA • Pacific Medical Buildings, San Diego, CA • Pasadena Museum of California Art, Pasadena, CA • Raleigh Durham Airport, Raleigh, NC • Royal Host, International Forum Building, Tokyo, Japan • Saks Fifth Avenue, USA • Samsung Corporation, Seoul, South Korea • Sand Hill Property Company, Sunnyvale, CA • SAS Software Inc. Cary, NC • Secretary of Commerce, Mexico City, Mexico • Straub Autovermietung Hertz, Biberach, Germany • The Diplomat Hotel, Hollywood, FL • The Trenton Group, Los Angeles, CA • UCLA, Medical Center, Los Angeles, CA • UCLA, Anderson School of Business, Los Angeles, CA

Press

PRESS

Selected Artworks

Buck Wild

Buck Wild

Corten Steel

113 x 24 x 30 inches

24426

Coalescence

Coalescence

Stainless Steel and Urethane

78 x 28 x 24 inches

24425

A Maze and a Compass

A Maze and a Compass

Stainless Steel and Urethane

85 x 45 x 25 inches

24424

Drunken Forest

Drunken Forest

Stainless Steel and Urethane

44 x 156 x 10 inches

24367

Staring at the Sky

Staring at the Sky

Stainless Steel, Aluminum, and Urethane

120 x 78 x 25 inches

24366

Gulls of Ithaca

Gulls of Ithaca

Stainless Steel, Aluminum, and Urethane

116 x 116 x 18 inches

24365

Why Not Here?

Why Not Here?

Bronze and Patina

24 x 7 x 6 inches

24364

Rough Waters

Rough Waters

Bronze and Patina

24 x 10 x 6 inches

24363

Perhaps

Perhaps

Bronze and Patina

24 x 8 x 6 inches

24362

Nevertheless

Nevertheless

Bronze and Patina

24 x 13 x 6 inches

24361

Code Cracker | SOLD

Code Cracker | SOLD

Bronze and Patina

24 x 7 x 6 inches

24360

Square World

Square World

Corten Steel

97 x 24 x 24 inches

24354

Pivot

Pivot

Corten Steel

110 x 25 x 24 inches

24353

Horticulture on the Moon

Horticulture on the Moon

Aluminum and Urethane

30 x 44 x 2 inches

24352

Language and Maps

Language and Maps

Aluminum and Urethane

47 x 48 x 2 inches

24351

Head of Lettuce

Head of Lettuce

Aluminum and Urethane

47 x 48 x 2 inches

24350

A Calendar of Lucky and Unlucky Days

A Calendar of Lucky and Unlucky Days

Aluminum and Urethane

36 x 44 x 2 inches

24349

Around the Bend and Down by the River

Around the Bend and Down by the River

Aluminum and Urethane

44 x 40 x 2 inches

24348

Coming Out of the Wilderness

Coming Out of the Wilderness

Bronze and Patina

83 x 24 x 24 inches

24340

Imagined Forest | SOLD

Imagined Forest | SOLD

Bronze & Patina

83 x 24 x 24 inches

24339

Tuparro

Tuparro

Stainless Steel and Urethane

42 x 42 x 12 inches

24133

Come on in

Come on in

Aluminum

27 x 25 x 4 inches

220464

Pan de Azucar

Pan de Azucar

Stainless Steel, Urethane

26 x 40 x 14 inches

220412

Puppet

Puppet

Bronze

16 x 16 x 6 inches

220373

Glimpse

Glimpse

Bronze

16 x 21 x 3 inches

220371

Feeding on Light

Feeding on Light

Bronze

17 x 19 x 6 inches

220316

The Dog That Follows You

The Dog That Follows You

Bronze

14 x 15 x 4 inches

220314

An Oak Tree is a Oak Tree

An Oak Tree is a Oak Tree

Bronze

21 x 16 x 6 inches

220313

Flower in the Sky

Flower in the Sky

Stainless Steel

93 x 43 x 22 inches

220181

Born

1959 Riverside, CA.


Education

Stanford University, Stanford, Palo Alto, CA.

University of Sao Paulo, Sao Paulo, Brazil.


Selected Group Exhibitions

2020 Trooping the Colours, Biberach, Germany

2019  Art Palm Springs, Caldwell Snyder Gallery, Palm Springs, CA

            Art Market San Francisco, Caldwell Snyder Gallery

            SCOPE Miami, Caldwell Snyder Gallery

2018  35th Anniversary Show, Caldwell Snyder Gallery, San Francisco

            Art Market Hamptons, Caldwell Snyder Gallery, NY, NY

            LA Art Show, Caldwell Snyder Gallery, Los Angeles, CA

            Art Market San Francisco, Caldwell Snyder Gallery, SF, CA.

Selected Solo Exhibitions

2022  Recent Sculptures, Caldwell Snyder Gallery, Montecito, CA.

2019  Wishful Thinking, Caldwell Snyder Gallery, St. Helena, CA.

2017 Galerie Uli Land, Biberach, Germany.

2016 Pacific Design Center, West Hollywood, CA.

            Gallery Jeon, Daegu, South Korea.

            Galerie Uli Lang, Biberach, Germany.

2015 Caldwell Snyder Gallery, San Francisco, CA.

            CMay Gallery, Seoul, South Korea.

2014 Museum of Art & History, Lancaster, CA.

            The Frostig Collection, Santa Monica, CA.


Selected Public & Corporate Collections

Allergan Corporation, Irvine, CA • Arario Industries, Cheon-Shi, South Korea • Bachem California Inc., Torrance, CA • Baxter Healthcare Corporation, Irvine, CA • Beechcraft Corporation, Van Nuys, CA

Birtcher Corporation, Irvine, CA • Boehringer Ingelheim, Biberach, Germany • Boehringer Ingelheim, CT • California Spine Center, Thousand Oaks, CA • Canon Corporation, Irvine, CA • Carl Bean AIDS Center, Los Angeles, CA • Cedars-Sinai Hospital, Los Angeles, CA •

Chandler Properties, Los Angeles, CA • City of Hope, Duarte, CA •

City of Montebello, Transportation Building, Montebello, CA • City of Santa Fe Springs, CA • Colegio Nacional de Educacion Profesional TecnicaL Administrative Campus, Toluca, Mexico • Concord Property Corporation, San Antonio, TX • Duncan Aviation, Lincoln, NE • Edificio Siglum, SARE Corporation, Mexico City, Mexico • Edison International, Rosemead, CA • Eisenhower Medical Center, Rancho Mirage, CA • Equity Office, Atlanta, GA • Georgia International Convention Center • Gershwin Hotel, New York City, NY • Hilton Caribe, San Juan, Puerto Rico • Intuit, Reno, NV • Katell Properties, Los Angeles, CA • Kaiser Permanente, Baldwin Park, CA • Kitakyushu City International Center, Kitakyushu, Japan • Kimball International, Inc., Los Angeles, CA • Kreissparkasse, Biberach, Germany • La Fundidora, Centro Cultural, Monterrey, NL, Mexico • Landesbank Baden-Wurttemberg, Stuttgart, Germany • Lockton Insurance, Los Angeles, CA • Lord Baltimore Properties, Empire Towers III, Ontario, CA • Los Angeles Retarded Citizen’s Foundation, Saugus, CA • Loyola Law School, Los Angeles, CA • Medix Mihagino, Kitakyushu, Japan • Mercure Hotel, Sao Paulo, Brazil • M.G.M. Grand Airlines, JFK Airport, NY • Ministry of Industry and Trade Building, Mexico City, Mexico • M.I.T., Cambridge, MA • Murrel Company, Newport Beach, CA • Neiman Marcus, Dallas, TX • Nobe Telecommunications Corporation, Miami, FL • Overton Moore and Associates Inc. Los Angeles, CA • Pacific Medical Buildings, San Diego, CA • Pasadena Museum of California Art, Pasadena, CA • Raleigh Durham Airport, Raleigh, NC • Royal Host, International Forum Building, Tokyo, Japan • Saks Fifth Avenue, USA • Samsung Corporation, Seoul, South Korea • Sand Hill Property Company, Sunnyvale, CA • SAS Software Inc. Cary, NC • Secretary of Commerce, Mexico City, Mexico • Straub Autovermietung Hertz, Biberach, Germany • The Diplomat Hotel, Hollywood, FL • The Trenton Group, Los Angeles, CA • UCLA, Medical Center, Los Angeles, CA • UCLA, Anderson School of Business, Los Angeles, CA

Balancing playfulness, wit, strength, stillness, and motion, Brad Howe’s sculptures are dynamic experiments in color and form. Having started his artistic career making mobiles reminiscent of Alexander Calder’s pioneering midcentury kinetic art, he continues to infuse his work with a sense of lightness. Even in sculptures made of heavy steel, he creates elements that twist, rise, and perch. His quieter, stationary wall sculptures incorporate arching lines that recall elegant movements. In addition to Calder, his influences include Arp and Brancusi—artists who infused solid matter with a similar gravity-defying feel.

The idea of social engagement and conversation is a constant theme in Howe’s practice, evident in the way his light-hearted sculptures activate the viewer’s space, as well as in his passion for creating public art and for working closely with collectors on commissioned projects. "My sculptures examine vitality and celebrate beauty,” he has said. “Their aim is to capture the vigor of life and radiate with unabashed potentiality. These are the issues that stimulate me as a person and as an artist, and that are discussed over and over with those who sit with me at my fire and with those at whose fire I find myself sitting."

Howe studied international relations at Stanford University and was inspired to become an artist while visiting the University of São Paolo to specialize in Brazilian affairs. His public installations include large-scale kinetic sculptures at the Georgia International Convention Center near Atlanta, and Temple University, Philadelphia. He has exhibited his work in nearly 20 countries, at numerous galleries and museums, and is included in the collections of the Pasadena Museum of California Art, M.I.T., and the City of West Hollywood, in addition to many other corporate and private collections. Reviews and profiles have appeared in the Los Angeles Times, Harper’s Bazaar, the New York Times, and Architectural Digest, among others. He lives and works in Malibu, California.

Brad Howe
Biography

Press

Exhibition of Bronze & Steel Sculptures
September 19 - October 31 | San Francisco

“If we are to engage in the project of self-edification, the evolution of self, the enterprise is tied to our imagination. As Richard Rorty indicates, imagination is bound by our vocabulary, and it is in the growth of vocabulary we should focus. Vocabulary is tied to experience, and it is in energized moments of exposure to strangeness that our vocabulary expands. Encountering strangeness stretches and expands our self-image and seeds the rich potential for our collective conversations.” - Brad Howe

Brad Howe began his career in Brazil after studying history at the University of Sao Paulo. His work presents the influence of inquiry into the aesthetics of various cultures and distinct movements in the continuum of art history.

Howe’s work continues to connect with international communities, exhibiting and completing site-specific commissions both in the US and abroad. Known for his sculpture practice, Howe’s focus also includes the representation of objects through diverse means, including photography.

Brad Howe

"The purpose of art is to address our projections, good and bad, attractive and grotesque, our strengths as well as our delusions, in order to know ourselves and in turn our true relationship with others, and ultimately our connection with life.”

Exhibition of Bronze & Steel Sculptures
September 19 - October 31 | San Francisco

“If we are to engage in the project of self-edification, the evolution of self, the enterprise is tied to our imagination. As Richard Rorty indicates, imagination is bound by our vocabulary, and it is in the growth of vocabulary we should focus. Vocabulary is tied to experience, and it is in energized moments of exposure to strangeness that our vocabulary expands. Encountering strangeness stretches and expands our self-image and seeds the rich potential for our collective conversations.” - Brad Howe

Brad Howe began his career in Brazil after studying history at the University of Sao Paulo. His work presents the influence of inquiry into the aesthetics of various cultures and distinct movements in the continuum of art history.

Howe’s work continues to connect with international communities, exhibiting and completing site-specific commissions both in the US and abroad. Known for his sculpture practice, Howe’s focus also includes the representation of objects through diverse means, including photography.

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