Bruno d’Arcevia is an Italian artist in the Neo-Mannerism movement. Neo-Mannerism — or new mannerism — artists are generally known for their acception of art as art. To them, if their art is accepted, it has value. They borrow ideas from all kinds of epochs. As a new movement, Neo-Mannerism strays from the traditional style of Mannerism which uses distortion of the body and limbs and the unrealistic use of space in their artwork. Instead, Neo-Mannerism combines ideas from all over the art history plateau. For example, they can combine 16th-century themes, such as mythology, with modern 20th-century themes, such as science and technology.

Born 21 October 1946.

Between 1975 and 1977 received numerous official invitations from French museums

Between 1982 and 1983, participated to the vicissitudes dell “anachronism” (with Carl Maria Mariani, Stefano Di Stasio, Abbot, Piruca and Omar Galliani) that it marked as a return to the “painting” after the experiments of the neo-vanguards “New Italian Way”.

In 1986 the movement already obtains a concrete four-year institutional acknowledgment to XI of Art of Rome, having an entire section (Art like history of the art). In occasion of XII the Four-year one of Art of Rome, Tawny of Arcevia it comes inserted in the review “Profiles (Italy 1950-1990)” like one of the 33 Italian founders of according to post-war period.

Parallel in 1988 it lands, with one series of extensions, in the United States:

1988-1990 Mayer Schwarz Gallery, Beverly Hills, Los Angeles, California.

From the 1993 Koplin Gallery, Saint Monica, California.

From 1996 Caldwell Snyder Gallery, San Francisco (California).

1997-1998. In the cupola dedicated to the “Saint” of the Sanctuary of S. Francisco di Paola (Paola - Cosenza), realizes frescoes of approximately 20 mq and 3 burlaps to oil of approximately 200 x 250 cm.
1998. In the same Sanctuary - Nail head of S. Giuseppe - one paints to oil burlap from 440 x 214 cm., 4 triangular sails of 4 meters of base and 3 meters of height and one shovel of altar of 250 x 150 cm.
Decoration “House Lilli”, Round Port (Olbia).

D’Arcevia collaborates with the University of California - Berkley - for the Biomecal Microdevices.

1999. He is invited to participate to the manifestation of institute of XIII the edition of the Four-year one of Rome: “Projections 2000. The space of the visual limbs in the multimediale civilization”.

2000. 2000 - Millenium Edition London is inserted in the recognition of “The International Who's Who”.
In the Church of S. Francisco di Paola and S. Rocco, to Calabro Peak, realizes, for navata and the apse, one series of nine paintings, everyone of 430 x 200 cm. approximately.University Ohio (the University of the Ohio, with the attempt to more increase the spreading of the advanced searches in the field of the bioengineering, has invited it to realize a series of paintings using mythology in order to illustrate the multiple applications in the field of the diagnostic one and the therapy).

“The Allegorical Tawny Paintings of of Arcevia” - College of the Arts - Columbus, USA.

Caldwell Snyder Gallery - “Heroic Quests & The Mythology of Painting” - Saint Francisco, California.

2001. He is invited to the extension “2000 times 2000. Art and Ideas for the Peace”, organized from Common of Arona (Novara) to Villa the Bridges.

2002 - Millenium Edition London is inserted in the recognition of “The International Who's Who”.
It gives life, together to the artists Luigi Frappi and Victoria Scialoja, to the movement of the “Revivalisti”, teorizzato from the critic Giuseppe sanctioned Gratt and with one extension prepared in the Cultural Center “One Art” of Carl Bruscia in the city of Fano (Pesaro).

2002. The Common one of Arona (Novara) dedicates one personal extension to it to the Palace of the Limbs.